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Classical Films Still Are Pertinent For Viewers Today

So what is really considered a classical movie? Can we simply associate it like a monochrome movie noir thing? That contains some of those cheesy classical music? Then why not big powdered wigs? Do you consider the formal nature of both the characters as well as the period get-up and attire? Is a classic film one which received 10 Oscars? Or do you think a classic movie simply one which comes down to the perception of the viewers and individuals?

The actual classical movie is really one of the great inventions since we discovered hamburgers. The classical movie is also the one film that we had the advantage of watching when we were children, because at the time only three television channels were available. It was during those good old Saturday afternoons and Sundays, when my dear father was not consumed by the sports programs on television, when those classic motion pictures from the past, movies featuring the glamour girls and the guys that inspired us boys to desire to be cowboys, were made available for us have fun with in all their splendor.

Although there is obviously a distinct difference between typical classical motion pictures and classical motion pictures with only classical period elements (music, costumes, storylines, etc.), I’d like to address the delight of the classical motion picture of yesterday and today that does involve only a particular period of history and does, then feature only classical period elements.

I am inclined to associate the black and white flicks with the beauties and the beaus, the comedies with the curmudgeons, the histories with the observations into who folks were in those days, like us however with an added je ne sais quoi that we must find out, learn about, and finally figure out how to enjoy in as great a depth and as wide a breadth as we can, to do them the justice they deserve.

Say for instance, my personal favorite classical movie of all time, Impromptu. This motion picture fundamentally enacts a couple of years in the lives of the characters George Sand, Franz Liszt, Freiderich Chopin, and the regal and wealthy folks who took artists in, letting them paint, create, compose, write, in exchange for wonderful company and fine entertainment. The film concentrates on Sand, who is bent on partnering with Chopin, her aggression equal in magnitude, as was his weakness. The costumes, the soundtrack, the dialogue, and the setting are all as breathtaking as the direction, technique, and the delivery of words and emotion. There’s even a theme or two that human beings right from the start of time until today can identify with or appreciate the love and hate, good and evil, in addition to longing and belonging motifs that are as classic as the movie itself.

Various other classical movie options I’ve an affinity toward are those less mainstream & popular ones. I’d consider Mrs. Parker as well as the Vicious Circle (though clearly POST-classical periods), Wilde, and Jefferson, for example, as deserving of classical film acclaim as say Amadeus, Emma, The Piano, and a variety of Kenneth Branagh and Emma Thompson productions.

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